A view from the bridge eddie and beatrice relationship quizzes

A View from the Bridge: Eddie and Catherine's Relationship - GCSE English - Marked by yogaua.info

Complete summary of Arthur Miller's A View From the Bridge. This relationship is quickly demonstrated when Catherine decides to leave secretarial school. Apr 24, In this essay I will be discussing the relationship between Catherine and Eddie and how it changes during the play “A View From The Bridge “. A View from the Bridge, written by American playwright Arthur Miller, focuses on the Eddie disapproves of Catherine's relationship with which of the following.

Eddie offers a boxing match with Marco, but Marco refuses at first, then he agrees to take him up on a challenge. At first its just a light boxing match but then Eddie becomes more serious and aggressive, this is when Beatrice and jumps in and stops him. Rodolfo grabs Catherine hand and requests that she dances with him. Eddie at this stage of the play is very angry and wants to get back at Rodolfo in some way or another.

Marco gets angry because of Eddies reaction towards the boxing match and decides to get even. He challenges Eddie to lift a chair up with one hand kneeling down. Marco becomes face to face with Eddies, you can see the tension building. Marco lifts the chair above Eddie like a weapon, he has a glare of warning on his face; this is to show he is not afraid.

The warning turns into a smile of triumph.

A View from the Bridge: Eddie and Catherine's Relationship

Eddie starts to grow anguish when Catherine comes out from the bedroom, adjusting her dress at the beginning of Act 2. Seeing Rodolfo come out of the bedroom makes Eddies arm jerk slightly in shock. When Rodolfo nods testingly, Eddie becomes angry and tell Rodolfo to leave. Catherine immediately turns and walks towards the bedroom, when Eddie grabs her she tells him she need to get out of there. Eddie grabs Rodolfo and kisses him, Eddies is trying to prove that Rodolfo is gay.

A VIEW FROM THE BRIDGE. - ppt download

Catherine is shouting telling him to get off. Catherine pleads to Eddie and tell him she is not a baby anymore. Catherine at this stage is very angry and scared she just want to find a way to get out of there.

Eddie goes to visit Alfieri, he tell Alfieri that he want to ring the immigration officers but something is holding him back. He tell Alfieri how angry he is and will do anything to get rid of them.

Alfieri warns Eddie not to ring the immigration officers but Eddie ignores him and rings. Eddie anonymously rings and tell the bureau where Marco and Rodolfo are. Eddie goes home and finds only Beatrice sitting there. The scene for the rest of the play? Eddie tries to make it out like Beatrice is blowing everything out of proportion, when he knows it his fault. On page 55 the immigration officers come to get the brothers, Eddie points them into the right direction and at this point Beatrice has a look of terror on her face towards Eddie.

The officers take Marco away. He killed my children! That one stole the food from my children! He tells Rodolpho to leave immediately; Catherine says that she will go too, but Eddie grabs her and kisses her. When Rodolpho protests, saying Catherine is going to be his wife, Eddie kisses him too. The men fight, "like animals". Marco has not been told of the fight. Alfieri reiterates that there is nothing Eddie or the law can do to prevent the wedding.

He advises Eddie to let the couple marry, warning him that there could be awful consequences if he didn't. Yet Eddie ignores Alfieri's words and telephones the Immigration Bureau, anonymously, to betray the cousins. There is a tense conversation with Beatrice - she is very angry with him. Beatrice tells Eddie that Catherine and Rodolpho are going to get married next week, ironically because Catherine is afraid that the authorities will catch up with the brothers. She tries to get Eddie - who has tears in his eyes - to agree to come to the wedding and, when Catherine comes in, Beatrice encourages Catherine to ask Eddie herself.

Catherine refuses to listen to Eddie's suggestion that it is not too late for her to meet other boys - his last-ditch attempt to prevent the wedding.

He is obviously regretting the call he made to the Immigration Bureau, but it is too late - two officers arrive. It is clear that Beatrice and Catherine immediately suspect that Eddie was the informer.

Eddie shouts out that he'll kill Marco; Marco retorts that Eddie has stolen food from his children. Eddie protests that he is innocent, but all the neighbours turn away from him. The honour of both Eddie and Marco is now at stake. We next see Marco and Rodolpho and Catherine with Alfieri's in the reception room of the prison: Alfieri needs a promise from Marco that he will not kill Eddie as a condition of bail.

Marco is reluctant, feeling that Eddie should be punished, but agrees. Beatrice gets dressed in her best clothes, but Eddie tells her that if she goes, he won't let her back into the house. Catherine is angry, calling Eddie a rat. When Rodolpho arrives to take Catherine to the church, he says that Marco is at the church, praying. Beatrice tries to calm him, telling him that the reason he is angry is because he is about to lose Catherine for ever - but this truth fires Eddie up even more.

Marco arrives, calling Eddie's name. Instead, Marco calls him an "animal". Eddie draws a knife but Marco is able to grip Eddie's wrist and turn the knife on Eddie himself.

In what ways does the relationship between Eddie and Beatrice change during the play?

Alfieri closes the play, commenting on how useless Eddie's death was, and on how much he admired him for allowing himself to be "wholly known.

Yet the arrival of Marco and Rodolpho fires up tensions that have been smouldering under the surface of the family for a while, and the result is tragic.

Let's look at the characters in more detail. If you've time, jot down the key things you can remember about each character, then click Next to see if you included all the points we did. He is described as "a husky, slightly overweight longshoreman. He is master of the house - both Beatrice and Catherine are obviously used to him laying down the rules.

He sees this as a 'manly' thing to do and he expects all men to do the same - which is why he cannot accept Rodolpho's more gentle talents. He is generous enough to offer a home to Beatrice's cousins, but at the same time slightly wary and self-protective or selfish - he reminds Beatrice not to let them sleep in his bed. Perhaps this prepares us for the way he deals with his love for Catherine: He doesn't trust people easily. He tells Catherine, "the less you trust, the less you be sorry. He is concerned about his honour and protecting his good name.

He ends the tale of the informer Vinny Bolzano, "a guy do a thing like that? How's he gonna show his face?


He paid for her typing lessons and had ambitions for her to rise to a different class. He is proud of her looks, yet concerned that she will attract the attention of men and is concerned about her new job. He finds it hard to admit that she has become a woman. He has not made love to his wife for three months. He quickly becomes jealous of Rodolpho because of the immediate impression Rodolpho makes on Catherine.

The stage directions tell us, "He looks at [Catherine] like a lost boy" when she tells him she loves Rodolpho.

He is unable to admit this shameful emotion to himself and is angry when Beatrice and Alfieri dare to mention it. For example, he mocks Rodolpho's skills at cooking, singing and sewing, claims he is homosexual and tells Catherine that he only wants her to gain US citizenship. In the end, he loses everything: Catherine, his wife, his name.

He has no option but to fight Marco to the death he has the knife.