Classic and modern sonic meet again billerica

Heavy AmericA | Original Alternative Hard Rock Boston Massachucetts | Press/Reviews

classic and modern sonic meet again billerica

In modern office buillding in Wilmington. / Price includes When you get the buyers' lisl. remember lhal sonic of the items may be negotiable. his holy wisdom hath seen meet, he hath stirred up some or other to write the . to reclaim them, and cause them to return again unto the Lord, and his holy ways choice flowers as most that occur in ancient or modern writings, almost people into an American wilderness, was by sonic eminent persons under- taken . The panel met again as a group to review the independent critiques and agreed .. elements from the various classic research designsmay drive the research.

The guitar part is dirty, and a little static-y. These elements suggest T. The result is sexy, adrenaline-soaked rock and roll.

Or, in other words, the good stuff. This song suggests an adulting rock and roll group. This sonic matches to the seeming intent of its words. Why beat around the bush, explore multiple unrelated topics, when one can get straight to the point without filter or diversion? It might make for a wonderful Quentin Tarantino movie title, in fact. His films look in on the criminal element among us. These are people that live, not to create a better planet, but to tear stuff up.

They live for adventure. Heavy AmericA also appears to live for adventure. Rock and roll used to be much more dangerous. It was subversive, naughty and reckless. Heavy AmericA wants to bring us back to the true meaning of rock. When Elvis swiveled his hips — but was only shown from the hips up — on the Ed Sullivan Show, it was a little scandalous. One imagines Heavy AmericA also wants to be seen as slightly scandalous.

Here they lay down a scuzzy blues-metal groove, intensify it with bass and beat and use it to sonicly punch the listener around the head with something that is both perfect and simple, and thus simply perfect.

Biker bar blues meets Southern Rocks boogie.

classic and modern sonic meet again billerica

The problem with many rock and metal bands today is they think that to create an impact you have to throw in a lot of notes, be as technical or heavy or dramatic as they can. Seguin on the guitars, keys and vocals; Dan Fried on the drums, percussion and vocals; and Budd Lampham on the Bass and vocals. Whenever they unite for music, they are fantastic, usually creating something that is vintage-sounding.

Every moment of it is exhilarating to listen to, especially when you plug-in the rebellious lyrical content they deliver in their verses.

Good cut for sure, but fairly standard too in other ways. But the facts are the facts too — the groove is way too strong to possibly resist. Holding absolutely nothing back the track deserves to be blasted for its ragged jagged distorted rhythms have a wild, unhinged spirit to them. By opting for such a feral approach Heavy AmericA ensures that no detail is overlooked as it has just the right mixture of full-on assault on the senses with its noisy aesthetic as well as utilizing a driving tempo to maximum effect.

Not a moment is wasted for Heavy AmericA start things off just right. The groove settles itself immediately. Vocals nicely accompany the whole of the sound as the song virtually bursts at the seams. Allowing for a great deal of tension to be built up when the piece fully comes undone it feels particularly earned. Layer upon layer effortlessly blends into the mix ensuring that the whole piece feels right. Energy flows through the whole of the work as things ensure that everything feels positively alive in a gorgeous rush.

Tremendous usage of texture allows the whole thing to virtually grab the listener by the throat as it careens uncontrollably, ever further tapping into an infectious party spirit, one that feels so vivid.

Seguin was fortunate to have parents who were very supportive of music growing up. When he was thirteen, his dad landed a job as a photographer for a music production company in Boston, photographing outdoor rock festivals.

Michael had just started playing guitar and was in his first band and his dad would get VIP passes for a lot of the shows and take the budding young musician with him. It was a world I fell in love with instantly. I knew that was the life I wanted and I knew I was one of them," remembers Seguin. He then moved to Los Angeles after graduating High School and enrolled at the Musicians Institute in Hollywood to do various music studies.

A short time after classes started, he joined a band and started playing the L. He was eighteen with a really good fake I. Years later, when I started to get an understanding of the business side of music, being a musician and being involved in the industry became a lot more enjoyable," he tells me. I really admire and mimic that work ethic. When they walked out on stage, they owned it and they knew it," he enthuses. This realization has pushed me to be better, gave me a clearer image of our direction as a band, and, in turn, inspired the recording of the new album," explains Michael.

Pulling from those emotions, thoughts, confusion and contrasting it with his present place in life is where the album gets some of its dark mellowness. I was using my once failed state to create songs of hope and redemption. Not only was this great therapy, but it was deeply inspiring. It became the fuel we needed to push ourselves harder than we ever had before," he expresses. Each band members has different interests, they all enjoy raising families, travelling, adventures in the outdoors, and are massive Jeep enthusiasts and they all own one.

Bassist Budd Lapham has a YJ set up for rock crawling. He has the best sound system of the three Jeeps and it's where we test listening to the recordings," smiles Michael. Author Rick Jamm once called Heavy America a 'sonic meets melodic roller coaster ride that takes all the proper elements of good hard rock and slaps you in the face with them,' which is one of Seguin's favourite descriptions of the band.

We realized pretty early on in the project that we had a great natural energy together. After the project wrapped up, the guys decided to continue playing together.

It took some getting used to but we all agree it was the way to go," he says. We would record a song, listen back to it, make changes and record it again.

It was a formula that worked great for us," Seguin explains. The guys stepped outside the musician's box and began hearing the songs as a listener and they took their time and made sure that they did everything right to the best of their abilities and gave the music whatever it desired to be great.

After laying down a guitar solo and a vocal part to fill it out, the song took on a new life. The takes came out great that we decided to let it go until the very end. The song went from being a little over four minutes to being over six minutes long. A total surprise and totally worth it," he smiles. I sang the track a few different ways and in different keys looking to experiment with what sounded best.

I had no intention of blending two tracks together but it gave the song such a smooth dreamy vibe that I had to roll with it. That can be pretty chaotic at times. Heavy America had the opportunity to play SXSW this year, that was a game changer and they played three different venues, all forty five minute sets, in a twenty four hour period.

It was definitely a highlight for us as a band," he enthuses. It shows certain level of professionalism and seriousness about your craft when you successfully navigate an event like that. All the recordings the band has done as Heavy AmericA have been done in their own studio. The guys decided before the recording of their first EP it would be massively cost beneficial for them to set up their own studio. It allows us to use our money in other places, like promotion," he tells me.

He studied sound engineering when he attended Musicians Institute, so Seguin had a pretty good idea of what he was doing in the beginning. I went into the recordings with a full understanding of the equipment having already engineered and produced our debut EP and the two singles that followed," he adds.

This made the whole process faster and smoother although it still took us ten months to complete. We do have some exciting stuff going on over the summer," he says. Most of which has to do with the release of the album. They have been a huge help with getting us college and FM radio airplay in the states, press and a few sync licenses for the new album. Hopefully all of which will pan out into more forward movement and opportunities. The video has done really well on youtube and has been well received by our fans.

How long has Heavy America been together? Mike and I have been playing together for a long time and in lots of different bands. Mike Seguin playing all guitars, keys and singing lead vocal. How did you guys meet? Mike and Budd have known each other for many years and have been in quite a few bands together. I was asked to join them for a recording project by a mutual friend and during the process we all realized we had something very special.

Once we were done with that project we decided to make a go as a three piece original band and as they say… the rest is history. How did you come up with the band name? Funny how band names can come about.

Anyone who's been in a band knows how hard it can be to come up with and then all align on a band name. Everyone tries so hard for the perfect name.

The story here is that while taking a break from a band practice and getting some fresh air, a little kid who had been listening from outside was asking us about the music and the band's name and we told him we did not have one yet.

He felt the need to give his thoughts and said the music sounded like heavy America. Strange comments and kind of shrugged it off at the time but down the road when it was time to finalize a band name, we remembered what the kid had said and we all kind of felt it was perfect for the sound we had created. How would you describe your music to someone who had never heard you before? I personally am not one to try and pin a band to another band's sound or specific genre, but totally get that it is the way many people process something new.

I think the primary reason behind the challenge of providing a tight specific canned band description is that Mike, Budd and I have never really sat down and discussed how we should sound and what the music should be like. Instead of a prescriptive approach, we've had an organic way of building songs that blend our styles in a unique and original way. We spend our energy focusing on melodies, feel, song structures, our execution, and an overall sound that resonate with each of us.

The outcome is a diverse unique array of original hard rock music that is an amalgamation of our different influences and styles. We all grew up with different influences and favorite groups and musicians and while that is certainly imbedded in each of our music DNA and no way to strip it out, our goal is to leverage that to create something that is new and fresh sounding.

I guess the short answer is I tell people "We are and original hard rock band and not easily categorized. Take some time to listen through a bunch of our material and let me know what you think of our songs and sound". We also have a good amount of grunge influence as well. You have a new album out called Our debut was a self titled six song EP we released in April, An information model developed in express can easily be translated to XML.

The end result, a standardised information model, regardless of language used, is the lasting value of the activity A property is a special aspect of an entity. From an information modelling view point a property may be expressed using combinations of the constructs below. Within AP the term attribute is used to refer to aspects represented using basic types. Defining associations between two constructs in an information model. Within AP a relationship is always defined between entities.

Constraints may be closed or open-ended. EXPRESS supports the definition of formal constraints on entities, relationships, attributes and other modelling constructs.

As in any other information modelling language semantics may be defined explicitly be using specific entities with for each concept supported. The second approach is to define fewer entities and use formal rules to define valid attribute and relationship value combinations. In AP the preferred modelling approach is to explicitly define entities for each concept supported and to minimise the use of rules for defining the semantics of the model.

This approach result in more entities defined, but improves model transparency and readability. Maintaining specification semantics has been the high priority in information model construction. The current revision of the information model is extensive as it captures the semantics as well as syntax of specifications. We believe this to be a crucial prerequisite for the successful standardisation and industrial acceptance of data exchange information models in general and for AP in particular.

At the time of writing the latest draft of AP is being validated through the implementation of tool data exchange interfaces. The lessons learned from this exercise will be incorporated and the model will harmonised with the new modular structure in STEP It would might also provide some help for DSDL.

In all these cases, the natural increase in complexity of evolving standards has made it difficult to understand the processing order and operation. ISO has been widely criticized for not being amenable to simple grammatical analysis 'not using "computer science concepts"'yet the same problems are experienced even with overtly layered specifications such as the XML family, due to this entropy.

These problems would be reduced by introducing a reference model which was neutral with regard to each of the four main streams, but allowed clear and diagrammatic exposition of the stages of parsing and processing a marked-up document incrementally from bits to a terminal information set The reference model uses UML terminology and diagrams at the top-level only. If desired, specific graphical stereotypes could be created, as allowed by UML. It models the kinds of markup processing of interest as a chain of components, one connected to the next, each of which implements a common event-passing interface.

Different markup languages and SGML features can be modeled using particular chains of components This interactive demo shows how a newly-merged bank and financial services company uses XQuery as a single interface to deliver a single view of data to a customer and to a sales representative. The demo financial scenario page of the demo describes common situations for which this technology is a solution.

The technology details pages display the queries and demonstrate how IBM integrates query, federation, Web services, and text search technologies using XQuery, the common query language for accessing XML.

Using IBM's Xperanto, you can simplify data integration tasks for the new breed of Web and XML applications that require delivering a complete enterprise view of customers, partners, and services to improve customer service, supply chain management, and enterprise decision-making March 18, or later. This language was created for the Mozilla application and is used to define its user interface.

The XUL implementation and the Mozilla browser are ever-changing. Some of the information contained within this tutorial may be outdated. The default skin has changed since some of the screen shots were taken, so the images may not match up to recent builds XUL pronounced zool and it rhymes with cool was created to make development of the Mozilla browser easier and faster. Most applications need to be developed using features of a specific platform making building cross-platform software time-consuming and costly.

This may not be important for some, but when you consider that users may want to use an application on other devices such as handheld devices or set-top boxes, it is quite useful to allow users to. A number of cross-platform solutions have been developed in the past. Java, for example, has portability as a main selling point. XUL is one such language designed specifically for building portable user interfaces.

It takes a long time to build an application even for only one platform. The time required to compile and debug can be lengthy. With XUL, an interface can be implemented and modified quicky and easily. Also, XUL is easily localizable, which means that it can be translated into other languages easily. Style sheets can be applied to modify the appearance of the user interface much like the skins or themes feature in WinAmp or some window managers Jason shows how his example-based template language, implemented in XSLT itself, is easier for everyday use, especially where non-technical colleagues are involved.

Just about anything that can be done with XML can be implemented in XSLT -- all it really takes is a little bit of creativity and a whole lot of pointy brackets. This separation between content and presentation seems to be the most often cited advantage for many XML advocates. Good programmers don't do this because it breaks the separation between the presentation and data tiers in their applications.

Thinking about it from an altogether different perspective, having literal result elements interspersed with XSLT instructions in your transforms is like generating HTML by concatenating strings and then printing them to your output as is often done when implementing servlets.

Most designers can't work in an environment like that. Even if they can, they shouldn't have to concern themselves with all the logic of extracting and manipulating the data they're trying to present Getting XSLT to process your custom templates isn't as easy as I would like it to be, but once the initial framework is created, adding new instructions and variables is relatively painless.

Creating a prototype with XSLT is certainly the quickest way to go as you can easily add new instructions when your template designer needs them.

classic and modern sonic meet again billerica

I've personally used the techniques described in this article to prototype a template language with close to instructions. This month, Antoine packs a whole bunch of cool tricks into creating an animated data-exploration widget.

This month's column, rather than a focused exploration of a particular SVG topic, will examine a few helpful tips and tricks. At the end, you will understand the tricks used and abused in the interactive tree map companion demo. Before we turn to specifics, I should tell you a bit about the demo. The aim was to construct a mechanism to represent an XML file's hierarchy in SVG and be able to browse it in an interactive way.

So we are dealing with a nice little tree app here. If you look at the SVG code you'll see that there is still a strong depth structure here too.

Green Chemistry Program Nomination Table

The idea is that each time we met a node in the XML file, we would create a rectangle and a text label. If the node had a child, then we would process the subtree according to the same rule Smaller than bitmapped files and faster to download, SVG images can be rendered with different CSS styles for each environment.

They work well across a range of available bandwidths. The result is a gentle introduction to XML that will prove useful for beginners. Is it even possible to explain XML in simple English Leigh Dodds covers these problems, and a call for developers to aid the progress of greater interoperability.

Jonathan Robie, a member of the Schema Working Group, has issued a rallying cry for developers to unite and help push for interoperability While this is an oft debated topic, the issues have had a slightly different slant this time around with claims that XSD is so complex that it's proving extremely difficult to implement A few constructive suggestions were circulated during the discussion, some more radical than others. Rob Griffin suggested producing a list of standard error messages for validators, which ought to help achieve some level of consistency across implementations, as well as clarifying the circumstances in which each error should arise.

Andrew Watt recommended the addition of a use case document that would provide an additional means of tackling the specifications. Watt pointed to the XML Query documents as a good exemplar. Jelliffe suggested that instead of a rewrite the schema specifications should be split into eight small sections which ' Jelliffe also commented that rather than criticizing XML Schema, the important first question should be to consider which schema language or combination of languages is most suited to a particular application domain.

Jelliffe offered a prediction that document oriented systems will likely settle on DSDL, while database oriented applications will find XML Schemas most suitable This was done toward the goal of nailing down a schema for the issue tracker package that I have been using to illustrate the use of RDF in association with XML applications. Now that we have a schema for the issue tracker, we'll move on to improving the way we construct our queries: We'll look at Versa, an open query language for RDF that will make all the query code we've presented simpler and faster There are also elements for the narrative administrative histories and biographies, as well as elements for controlled access in terms of functions and geographic names.

However, EAD does not provide support for separate files of authority and context information. In response to this need, an international group of archivists and information scientists met in Toronto in March to lay down the principles for governing such an encoding standard. The group prepared for the meeting by drafting and reviewing a set of principles and criteria to direct its work, and agreed that the standard needs to address more than traditional authority control of headings and that accompanying documentation is needed for contextual information.

The name of the format became the 'Encoded Archival Context', thereby stressing its wider scope: Archival context information consists of information describing the circumstances under which records defined broadly here to include personal papers and records of organisations have been created and used.

This context includes the identification and characteristics of the persons, organisations, and families who have been the creators, users, or subjects of records, as well as the relationships amongst them.

Cover Pages: XML Articles and Papers. January - March

During a meeting in Charlottesville in June, the group came up with a draft DTD, which was ready for circulation to the full group in the middle of July. Especially when it came to the elements of the header and the entry elements it was regarded as crucial to keep a compatibility with MARC records.

The community seems agreed on what the XML is expressing and this has been captured succinctly in N3. This paper shows how the ideas in N3 can be captured as an XML language. The aim of this language is to gain the useful property of parsability inherent in XML while being as simple, powerful and elegant as N3. We conclude this paper with some areas for improvement and make a general statement about XML development activities The N3 notation and the associated primer are responsible for clearly communicating the elegance and simplicity that lies behind the RDF model.

It achieves this through prose but also through a syntax, concise and precise syntax.

classic and modern sonic meet again billerica

However the RDF model is not the XML model and any serialisation should enable easy, understandable interchange between the model and the syntax. The following section describes how we have taken N3 and turned it into an XML language. It describes the different constructs from N3 and how they are represented in the XN The demand for data integration is rapidly becoming larger as more and more information sources appear in modern enterprises.

In the data warehousing approach, selected information is extracted in advance and stored in a repository, yielding good query performance. However, in many situations a logical rather than physical integration of data is preferable. Previous web-based data integration efforts have focused almost exclusively on the logical level of data models, creating a need for techniques focused on the conceptual level.

Also, previous integration techniques for web-based data have not addressed the special needs of OLAP tools such as handling dimensions with hierarchies. The rapid emergence of XML data on the web, e. Unlike previous work, this approach takes special OLAP issues such as dimension hierarchies and correct aggregation of data into account.

Also, the approach works on the conceptual level, using Unified Modeling Language UML as a basis for so-called UML snowflake diagrams that precisely capture the multidimensional structure of the data.

An integration architecture that allows the logical integration of XML and relational data sources for use by OLAP tools is also presented Motivated by the increasing use of OLAP tools for analyzing business data, and XML documents for exchanging information on the Web, this paper provides techniques that enable existing OLAP tools to exploit XML and relational data, without requiring physical integration of data.

Also, an architecture for integrating XML data at the conceptual level was presented. The architecture also supported relational data sources, making it well suited for building OLAP DBs which are based partly on in-house relational data and partly on XML data available on the web.

We improve on previous work on integration of web-based data by focusing on data integration at the conceptual rather than the logical level. Also, the data integration approach takes special OLAP issues, such as handling dimensions with hierarchies and ensuring summarizability, into account. The implementation of a prototype using the approach described in this paper is currently in progress. A very important aspect of the implementation is to investigate efficient query processing techniques such as query translations and data caching.

Storing higher-level summaries of the data can also speed up query processing considerably. For similar publications, see the bibliography page of Mikael R. InfoWorld March 27, The changes are designed to address issues that have dogged open-source companies looking to certify their products as Java compatible through the JCP Java Community Process that governs Java's maturation.

Companies have been wary of submitting open changes for Java because of licensing issues, confidentiality concerns and the costs associated with running compatibility tests, said Jason Hunter, vice president of the ASF, joining McNealy on stage. In addition, test kits may also be submitted under the open licenses, Hunter said. Some existing JSRs will also be available for open-source implementations, he said.

Sun has submitted more current JSRs than any other vendor Sun did not say give the specifics of the open source license it will use for Java. Officials however indicated it would not use a license as broad as the GPL General Public License used in some open-source projects, which allows developers to freely modify and distribute code as long the changes are made public.

Sun has long been under the watch of developers who were concerned about how much control the company exerts over a technology used by myriad companies. Sun, however, had voiced worries about the fragmentation of Java due to incompatible implementations of the technology from outside parties With the move Tuesday, Sun may have assuaged some of the developers' fears and found a way to tap the talents of the Java community and open-source programmers as a whole.

One company, however, remains unimpressed with Sun's new stance after fighting with the company in the past over open-source Java projects Sun's close ties to the Apache Software Foundation on this project lend some credence to the company's intentions, as the ASF manages many of the open-source world's most successful projects.

In a press conference after his speech, McNealy highlighted the importance of maintaining XML as a standard technology and of not allowing vendors to implement their own versions Net source code the company will use in its wide-ranging initiative to supply applications and services over the Internet, Microsoft announced Wednesday. More than one million lines of source code for. Net will be made available under Microsoft's previously announced 'Shared Source' licensing program to academic researchers in university computer-science departments.

classic and modern sonic meet again billerica

Shared source is Microsoft's response to the open-source software movement and the growing popularity of the Linux operating system. Open-source software such as Linux typically is developed by programmers collaborating and freely sharing code updates. Under Microsoft's shared source license, developers have been able to view source code, but not modify it as they can with Linux. The shared-source implementation for. Windows source code is also available to academics under shared source licensing, allowing noncommercial modification for academic and research purposes.

Microsoft's source-code announcement Wednesday came as Sun Microsystems Inc. Sun Tuesday said developers will be able to submit some changes for Java under open-source licenses and receive financial support from the company for their projects. Microsoft, based in Redmond, Wash. For example, Microsoft has submitted some of the underpinnings of its. Net initiative to a European standards body.

Those technologies, which include the C programming language and a component of its. Microsoft also funded an effort by software maker Corel to implement the ECMA standards and create the version of the. That implementation is what Microsoft will hand out under its latest academic deal Ca component-oriented programming language Microsoft developed, has been compared to Java in that, among other things, it is intended to allow developers to write code and reuse pieces of it when building various applications.

CLI is the underlying technology for enabling developers to write. Net applications in more than 20 programming languages.

Microsoft's implementation of those technologies is called the. The company intends to use. Net Framework as the common platform for Web services and software that link business processes together over the Internet with XML Demonstrating the Secure Exchange of Structured Data. XML itself is the most popular technology for structuring data, and therefore XML-based encryption is the natural way to handle complex requirements for security in data interchange applications.

SSL was originally designed by Netscape, and its version 3. This is a very secure and reliable protocol that provides end-to-end security sessions between two parties. Rather, it provides a mechanism for security requirements that are not covered by SSL.

The following are a two important areas not addressed by SSL: With XML Encryption, each party can maintain secure or insecure states with any of the communicating parties. Both secure and non-secure data can be exchanged in the same document. For example, think of a secure chat application containing a number of chat rooms with several people in each room. XML-encrypted files can be exchanged between chatting partners so that data intended for one room will not be visible to other rooms.

We'll now demonstrate a simple exchange of data, making it secure through XML Encryption. We'll then slowly increase the complexity of the security requirements and explain the XML Encryption schema and the use of its different elements In our next installment of this series of articles, we will discuss and implement the details of cryptography. We'll demonstrate the working of encryption and decryption classes and their interaction with parsing logic, and present applications of XML Encryption in Web services.